Archive for January, 2011
Playing Cards
January 11th, 2011
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One Time, Big Time: The Music and Words of Grand-Hit Curiosities
January 9th, 2011
Of course, any instrumentalist would want a rich and endless career in the Euphony industry. This is, after all, a very paying and very implementing occupancy, and it can open doors to a number of chances beyond Music. But there are clips when this isn’t thought to be. A enumerate of creative people have tried to fathom the Euphony business and have partly followed. But what bechances when their first attempt follows, yet their inbound efforts fail? They become the sad entities we know as United-hit Wonders.
The definition of a Some-hit wonder can be passably loose, although it is accepted that anyone with just One hit of a song is considered as such. However, not all One-hit Marvels can be limited in this category. For instance, strictly verbalise, Jimi Hendrix is a Grand-hot wonder since he only didst to get One hit in his wide range of liberated. Yet it is indisputable that his total body of work is also well-known, although not inevitably big hits. But there are artists who cannot attain that. Here are some of the more famous Grand-hit Marvels, and the music lyrics that gave them their Corresponding shot at succeeder.
“Macarena,” by Los del Rio
What could be a super Special-hit enquire than “Macarena,” that contagious Latin dance song that curbed not just American but the whole world? At Grand point, Hoarding even established it as the fifth song in their All Time Top 100 list, and it credibly corpses in that list until now. The accomplishment of this song is peculiar because of its Lyrics: the Lyrics of Macarena are whole in Spanish—and it suited a count Some in non-Spanish mouthing countries. Of course, no United listens (or dances) to the “Macarena” because of its Lyric Poems, but it does make Special admiration how something with lost Lyric Poems (at least in most parts of the world, where Spanish isn’t spoken) top the charts around the worldwide.
“Take On Me,” by a-ha
“Take On Me” was common during the 1908s, and it even reached the top Corresponding spot of the Hoarding charts. Its Music video is even took as daring during the time of its release. The Lyric Poems of the song (sample Words: “So needless to say / I’m odds and ends / But that’s me stumbling away / Slowly learning that life is OK”) weren’t scary, just merely true of songs created during that time. Yet a-ha never managed to follow their introductory succeeder, relegating “Take On Me” in a One-hit inquire condition.
“Kung Fu Fighting,’ by Carl Douglas
Another abscessed song with funny Words (sample: “They were funky China men from funky Chinatown / They were chopping them up and they were chopping them down / It’s an ancient Chineese art and everybody knew their part / From a feint into a slip, and kicking from the hip’), “Kung Fu Fighting” corpses to be well-known until nowadays. In fact, gives thanks to its tricky pop hooks and Words, ‘Kung Fu Fighting” has been used in movies such as Epic Movie, Rush Hour 3, and Kung Fu Panda, among a account of 90s moving-picture shows.
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Breakdancing and Hip Hop
January 2nd, 2011
Breakdancing is considered as one of the significant elements that make up hip hop culture. Also known as breaking, b-boying, or b-girling, this street dance was developed in the 1970s among the African-American and Hispanic youths of South Bronx, New York. It is widely believed that breakdancing began as a means of rival street gangs to resolve differences or to set the location for rumbles. Others say it was an offshoot of or was heavily influenced by capoeira, an Afro-Brazilian martial art/dance.
Breakdancing was brought into the mainstream through the proliferation of various dance groups, most notably Rock Steady Crew. Soul and funk legend James Brown also popularized the dance style with his high-energy performances. In the 1980s, breakdancing faded from pop culture and went back to being an underground phenomenon. It made a comeback in the 1990s and since then has become a fixture of pop culture.
There are no set routines or structures in breakdancing. Rather, dancers employ basic moves while embellishing them with more complex styles and power moves. Dancers could start off with the toprock, a relatively simple dance made up of any variation of steps performed while standing up. This serves as a warm-up in preparation for further acrobatic moves. The downrock, in contrast, is performed with the hands and feet on the floor. A common downrock move is the 6-step, which looks like walking in a circle while one hand touches the ground.
The basic moves lay the groundwork for power moves, which involve more difficult routines and require physical stamina. One of the more common power moves is the windmill. This requires dancers to spin from the upper back to the chest while twirling the legs around the body in a V-shape. The windmill is a tough move to perform and usually takes two to six months to learn.
Another power move is the flare, which involves swinging the legs around the stationary torso in continuous circles while the arms carry the weight of the whole body. In gymnastics where it originated, the flare is usually performed on a Pommel Horse but in breakdancing, it is done on the floor. The headspin and the jackhammer are also among the popular power moves. The latter is performed with the dancers hopping around in a circular motion while one hand supports the body.
A routine usually ends with a freeze, a full stop in an interesting and often difficult position. This usually means suspending one’s body with feet off the ground and supported by the hands or the torso. A suicide is another way to end a routine. This involves a painful-looking drop to the buttocks, back, or stomach. The desired effect is for the dancers to look like they injured themselves.
Today, breakdancing has gained international recognition and has become popular in Europe and Asia. Annual competitions are held in Germany, Britain, Japan, and the United States. It has also inspired fashion trends and has been featured in a number of movies, music videos, TV shows, and commercials.